Je suis mort…

When I first started browsing the world of podcasts, I was surprised to quickly find something that seemed so tailored to my tastes: a series focused on community broadcasting, the paranormal and new music. It seemed like a niche combination.

Then the show came to Melbourne, and I walked into the lobby of the Comedy Theatre to see it filled with people who looked like me, only wearing costumes.

Welcome To Night Vale,
Comedy Theatre, Melbourne, February 10, 2018…

In the theatre, the lights dimmed and a hush fell across the audience – blue hair aplenty, and a scattering of lab coats for the occasion – and we saw a stage bare except for a few microphone stands. Applause rose as a woman strode confidently onto the stage, followed by admiration for her blue, sequined dress. As soon as she spoke, her voice was familiar. She didn’t need to identify herself as Meg Bashwiner, ‘the woman who reads the credits and the proverbs in Night Vale.’

Rather than launching straight into the show, Meg was to be the night’s MC, giving an introduction in trademark anachronistic Night Vale style. Pointing out the exits, she continued, ‘Presumably most of you entered through those doors. So in the case of an emergency, use the same method as you did to enter, only in reverse.’

For the stage format, rather than opening straight to the evening’s community radio show, the musical guest was introduced to begin. Erin McKeown bounded onto the stage and with only her voice and guitar created a sound as full as a whole band. Switching from rock guitar fuzz to moody blues – sometimes mid-tune – Erin had the audience singing and clapping along with her Norah Jones-ish vocals, a smile never far from her own face or that of the audience. Erin seemed to enjoy playing with the audience, inviting participation, and it looked like reflecting the spotlight onto key players in the crowd from the shine of her guitar.

Whilst the applause for Erin McKeown was honest and grateful, anticipation built as MC Meg returned to the stage, wasting no time in introducing Night Vale’s resident composer, Disparition, who set himself up at a desk with laptops and a mandolin, launching into a faster version of the theme song as the star of the show, Cecil Baldwin took up his microphone to, as always, welcome us to Night Vale. Cheers filled the theatre in equal parts for his iconic speech, dulcet tones, and flamboyant suit printed all over with anime eyes.  Considering the layered solo music produced by Disparition, he scored the live show flawlessly.

NightValeQuickly reminding us that we are cast tonight as regular listeners of his radio show, Cecil explains that it is the night of Night Vale’s annual ghost story competition. It is a script that lets us experience lots of Night Vale stories, and importantly, to hear from lots of our favourite characters. Symphony Sanders as a more playful than usual Tamika Flynn was a highlight. Bashwiner’s corporate spokes-haze Deb took the chance to have some fun with local brands.

Despite the reminders that we’re listening to the radio, the cast don’t forget their audience. During the regular horoscopes segment, Cecil answers the call of vocal members of the theatre. The Children’s Fun Fact Science Corner invites ‘listeners’ to use their smartphone to prove the existence of time travel. During a Community Calendar announcement, a suggestive mime act is interpreted to air as ‘Nuclear testing along Route 800.’

After a parade of citizens telling ghost stories ranging, as is common in Night Vale, from the tragic to hilarious, it is time for Cecil to bid ‘Goodnight, Night Vale. Good night.’ As the cast left after their curtain call, people could be heard still emotional after the story of a ghost cat. I wondered if seeing the actors on stage would change how I pictured the characters when I next listen to the podcast.

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