Archive for March, 2018

American Idiot…
March 9, 2018

In the lobby, I suggested some upcoming productions that could go onto our list for future evenings in the theatre. I recommended Red Stitch’s Colder or Melancholia at the Malthouse. One of my companions commented that she does not like to feel depressed when she goes to the theatre.

American Idiot,
Comedy Theatre, Melbourne, March 8, 2018…

All over the darkened set, televisions flicker to life, displaying images of the reign of President Trump: this production will clearly have a new focus of rage from that beneath Green Day’s original American Idiot album, though throughout the show the production uses projections directly onto the set to carry the album’s message of televised political propaganda.

American Idiot cast, photo by Ken LeanforeThe stage adaptation of the story apparently beneath the American Idiot album expands upon the kind of bleak imagery of the Boulevard Of Broken Dreams video clip, but unlike the stylised video, plays it straight. There aren’t a lot of laughs in this show. Rebellious outcasts head from their ‘Make America Great Again’-cap wearing community with dreams of a new life in the city, only to be thwarted by drug addiction, unplanned pregnancy and the seduction of government propaganda.

Nevertheless, the cast and musicians perform the soundtrack well within a simple but effective set, and seeing the songs performed in this way feels a lot like a new, live take on the long form music video. It feels more devoted to its source than other jukebox musical tributes, like We Will Rock You, which can seem like commercial afterthoughts (though I’ve seen quality productions.) Green Day fans should appreciate the experience.

For others, the plot could prove too heavy to enjoy. The three main characters are hard to empathise with, whilst we are left to wonder about the exploits of their female counterparts in the meantime. It is a shame, because some of the talent in those roles shine – Phoebe Panaretos as ‘Whatsername’ in particular brought an unexpected take to Green Day’s music with her vocals reminiscent of Anastacia. Kaylah Attard was also impressive in the unfortunately fleeting role of the nurse, ‘Extraordinary Girl.’

Themes like those explored on stage in American Idiot aren’t new to musical theatre any more (the set and story are kind of reminiscent of Rent – there is even a scene where characters are filmed on stage and projected,) Green Day fans will enjoy being able to sing along and Sarah McLeod in the rotating role of ‘St Jimmy’ this evening elicited well-deserved cheers from the moment she appeared and stalked the stage menacingly. Those unfamiliar with the source material looking for a new musical to enjoy might leave feeling overwhelmed by the grim tone, though some of the big cast numbers like Jesus Of Suburbia are enjoyable, despite the tone.  Hopefully the next Green Day musical can draw inspiration from Warning and capture the punk rebellion with a brighter tone to capture both audiences.  Or maybe that is just wishful thinking…

Green Day’s American Idiot runs in Melbourne until March 11, then moves to QPAC Playhouse in Brisbane from April 13 to 21, and Darwin’s Entertainment Centre from May 4 to 6.